Co-organized by the Jao Tsung-I Academy and Nanjing Bingxi Culture, this joint exhibition featured the works of three emerging scholar-painters: Lu Xiaohong, Han Fei, and Wang Jun. My challenge was to design a visual identity that unified three distinct artistic voices—ranging from abstract Western-influenced ink to meticulous feminine portraiture—under the dual themes of "Ink" (the medium) and "Rest" (the experience).
I translated the poetic essence of contemporary Chinese ink art into a cohesive suite of exhibition graphics, ensuring the "restful" and "imaginative" atmosphere was felt by the Hong Kong public from the moment they saw the first poster.
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Traditional gallery labels are often academic and static, creating a "wall" between the viewer and the art. For the Ink & Stillness exhibition, the challenge was to present the technical data (medium, dimensions, year) of three contemporary scholar-painters—Lu Xiaohong, Han Fei, and Wang Jun—in a way that felt as alive and modern as their work.
I chose to use a mobile chat interface (specifically styled after WeChat) as a digital metaphor.
Cultural Context: For these specific artists and the Hong Kong public, the "chat bubble" is the primary way they consume information daily.
Humanizing the Artist: By using the artist's profile picture as the "sender," the technical details become a personal message from the creator to the visitor, bridging the gap between traditional art and modern digital culture.
Designed an immersive social touchpoint for the 'Ink and Rest' (墨憩) exhibition. I integrated signature motifs from artists Lu Xiaohong, Han Fei, and Wang Jun into a watercolor landscape optimized for guest photography to bridge traditional ink art with a modern and shareable gallery experience.